{"id":84,"date":"2020-01-17T02:50:09","date_gmt":"2020-01-17T02:50:09","guid":{"rendered":"https:\/\/dev.madeleinemckay.com\/?page_id=84"},"modified":"2020-02-28T01:09:35","modified_gmt":"2020-02-28T01:09:35","slug":"selected-bibliography","status":"publish","type":"page","link":"https:\/\/madeleinemckay.com\/?page_id=84","title":{"rendered":"Selected Bibliography"},"content":{"rendered":"\n<p class=\"has-text-color has-very-light-gray-color\">July 2008 \u2013 The Honolulu Advertiser: \u201cBringing Healing to the table\u201d  by Wanda Adams &nbsp;<\/p>\n\n\n\n<p class=\"has-text-color has-vivid-cyan-blue-color\"><a href=\"http:\/\/www.honoluluadvertiser.com\/apps\/pbcs.dll\/article?AID=2008807160366\">http:\/\/www.honoluluadvertiser.com\/apps\/pbcs.dll\/article?AID=2008807160366<\/a><\/p>\n\n\n\n<p class=\"has-text-color has-very-light-gray-color\">June 2003 \u2013 Feature Today: Honolulu Star Bulletin: \u201cA New View\u201d  By Joleen Oshiro <a href=\"http:\/\/starbulletin.com\/2003\/06\/02\">&nbsp; <\/a><a href=\"http:\/\/starbulletin.com\/\">http:\/\/starbulletin.com\/<\/a><\/p>\n\n\n\n<p class=\"has-text-color has-very-light-gray-color\">Hawaii Bar Journal, cover,  February 2003: \u201cFlowers in the Attic\u201d  by Madeleine McKay .<\/p>\n\n\n\n<p class=\"has-text-color has-very-light-gray-color\">November 2002 \u2013  Honolulu Magazine : \u201cEnriched by Diversity: The Art of Hawaii \u201d<\/p>\n\n\n\n<p class=\"has-text-color has-very-light-gray-color\">September 2000: The Honolulu Advertiser: \u201cChamber show fulfills goal of quality art\u201d  &nbsp;by Virginia Wageman<\/p>\n\n\n\n<p class=\"has-text-color has-very-light-gray-color\">November, 1999&nbsp; \u2013 The Honolulu Advertiser: Contemporary Museum, Galleries   by Virginia Wagerman<\/p>\n\n\n\n<p class=\"has-text-color has-very-light-gray-color\"> Honolulu Star Bulletin:  &#8220;A Work of Art\u201d By Ben Wood, November 1999<\/p>\n\n\n\n<p class=\"has-text-color has-very-light-gray-color\">McKay\u2019s paintings: The Lei Maker,  Bird of Paradise by Moonlight, The Visitor and Vigil, were&nbsp;all chosen as wine labels for Roy\u2019s Restaurant, Honolulu Hawaii, 1990-1996.&nbsp;<br><\/p>\n\n\n\n<p class=\"has-text-color has-very-light-gray-color\">&nbsp;\u201cThe Lei Maker\u201d and \u201cJealousy\u201d and \u201cBest Seller\u201d were also chosen as <br>anniversary posters for the restaurant.&nbsp;<br><\/p>\n\n\n\n<p class=\"has-text-color has-very-light-gray-color\">Her painting:  \u201cThe Front Door\u201d was chosen as a menu cover for Roy\u2019s restaurant: &nbsp;7<sup>th<\/sup> anniversary 1996.&nbsp;<\/p>\n\n\n\n<p class=\"has-text-color has-very-light-gray-color\">\u201cSilk Art Blends Hawaii, Ireland\u201d  Windward Sun Press: May 2, 1991, Eloise Aguiar<br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>July 2008 \u2013 The Honolulu Advertiser: \u201cBringing Healing to the table\u201d by Wanda Adams &nbsp; http:\/\/www.honoluluadvertiser.com\/apps\/pbcs.dll\/article?AID=2008807160366 June 2003 \u2013 Feature Today: Honolulu Star Bulletin: \u201cA New View\u201d By Joleen Oshiro &nbsp; http:\/\/starbulletin.com\/ Hawaii Bar Journal, cover, February 2003: \u201cFlowers in the Attic\u201d by Madeleine McKay . November 2002 \u2013 Honolulu Magazine : \u201cEnriched by Diversity: &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/madeleinemckay.com\/?page_id=84\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Selected Bibliography&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-84","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/madeleinemckay.com\/index.php?rest_route=\/wp\/v2\/pages\/84","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/madeleinemckay.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/madeleinemckay.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/madeleinemckay.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/madeleinemckay.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=84"}],"version-history":[{"count":4,"href":"https:\/\/madeleinemckay.com\/index.php?rest_route=\/wp\/v2\/pages\/84\/revisions"}],"predecessor-version":[{"id":495,"href":"https:\/\/madeleinemckay.com\/index.php?rest_route=\/wp\/v2\/pages\/84\/revisions\/495"}],"wp:attachment":[{"href":"https:\/\/madeleinemckay.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=84"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}